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What If Story Didn’t Require Conflict? Donald Conley on Empathy, Tension Without Trauma, and Stories Without Villains

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Manage episode 477578027 series 3653885
Content provided by Mishu Hilmy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mishu Hilmy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

What if the point of a story wasn’t conflict—but something more subtle, more layered, and more human? In this episode, award-winning director and producer Donald Conley joins Mishu to talk about the evolving shape of story, the language of tension, and how Nonviolent Communication changed the way he writes characters, builds scenes, and approaches collaboration.

Donald Conley is a filmmaker whose work orbits themes of justice, memory, and emotional honesty. He’s produced documentaries distributed by Netflix, PBS, and Max—including Dallas, 2019, a 5-part socio-political series for Independent Lens. His short documentary Matriarch and narrative short About Time have screened at major festivals across the U.S. and Canada, including the 60th Annual Chicago International Film Festival. He’s currently directing a feature doc on the 1970 Syracuse 8 boycott and its legacy in college football.

In this episode, we talk about Tension vs. trauma: how Donald builds story without defaulting to conflict

  • Redefining narrative structure with empathy at the center
  • Recasting the role of the antagonist
  • The cost—and value—of slowing down the creative process
  • Directing intimacy with care, conversation, and consent

Follow Donald on Instagram @meekley for updates on About Time, his current doc project, and more.

Sign up for the mailing list and listen to more episodes at mischiefpod.com.
You can follow us on Instagram and TikTok @mischiefpod. Produced by @ohhmaybemedia.

  continue reading

11 episodes

Artwork
iconShare
 
Manage episode 477578027 series 3653885
Content provided by Mishu Hilmy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mishu Hilmy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

What if the point of a story wasn’t conflict—but something more subtle, more layered, and more human? In this episode, award-winning director and producer Donald Conley joins Mishu to talk about the evolving shape of story, the language of tension, and how Nonviolent Communication changed the way he writes characters, builds scenes, and approaches collaboration.

Donald Conley is a filmmaker whose work orbits themes of justice, memory, and emotional honesty. He’s produced documentaries distributed by Netflix, PBS, and Max—including Dallas, 2019, a 5-part socio-political series for Independent Lens. His short documentary Matriarch and narrative short About Time have screened at major festivals across the U.S. and Canada, including the 60th Annual Chicago International Film Festival. He’s currently directing a feature doc on the 1970 Syracuse 8 boycott and its legacy in college football.

In this episode, we talk about Tension vs. trauma: how Donald builds story without defaulting to conflict

  • Redefining narrative structure with empathy at the center
  • Recasting the role of the antagonist
  • The cost—and value—of slowing down the creative process
  • Directing intimacy with care, conversation, and consent

Follow Donald on Instagram @meekley for updates on About Time, his current doc project, and more.

Sign up for the mailing list and listen to more episodes at mischiefpod.com.
You can follow us on Instagram and TikTok @mischiefpod. Produced by @ohhmaybemedia.

  continue reading

11 episodes

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