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David Longstreth: Song of the Earth

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Manage episode 476017340 series 3566106
Content provided by Majel Connery. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Majel Connery or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In this episode of Reverberations, host Majel Connery talks to David Longstreth about his album, Song of the Earth, an orchestral song cycle featuring Longstreth and his band The Dirty Projectors along with a host of other collaborators, including the commissioning ensemble, s t a r g a z e. Beginning with the album’s titular inspiration, Mahler’s Song of the Earth, Connery and Longstreth discuss the surprising proximity of Mahler and the Beach Boys; the courage to write a triad; Longstreth’s affinity for echo chambers; and what it means to try to write music about the environment. Of the album’s penultimate song he says: “[Given] the legitimate despair that...the record conjures, to summon the opposite, to summon hope, didn’t feel easy. It did feel insane. It’s an insane way to end the record.”

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13 episodes

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Manage episode 476017340 series 3566106
Content provided by Majel Connery. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Majel Connery or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In this episode of Reverberations, host Majel Connery talks to David Longstreth about his album, Song of the Earth, an orchestral song cycle featuring Longstreth and his band The Dirty Projectors along with a host of other collaborators, including the commissioning ensemble, s t a r g a z e. Beginning with the album’s titular inspiration, Mahler’s Song of the Earth, Connery and Longstreth discuss the surprising proximity of Mahler and the Beach Boys; the courage to write a triad; Longstreth’s affinity for echo chambers; and what it means to try to write music about the environment. Of the album’s penultimate song he says: “[Given] the legitimate despair that...the record conjures, to summon the opposite, to summon hope, didn’t feel easy. It did feel insane. It’s an insane way to end the record.”

Support the show

  continue reading

13 episodes

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