We’re in a New York State of Mind. Sure, L.A. has beaches and sun, San Francisco clings onto its peace and love vibes, Chicago oozes the blues, and these make for remarkable settings for great songs, but New York…New York is something different. She’s an active participant in the music, the protagonist, the antagonist, a vessel for vibrancy, romance, drama, grit, grime, decay, revitalization, glamour, hope. The American dream. From street corner doo woo groups to Bleeker Street folkies to CBGB punks to Brooklyn indie rock hopefuls, New York has long had a story to tell through the eyes, minds, and voices of the artists who chronicle her, some of whom are intrinsically intertwined with heartbeat of the city. One of the finest ever to do it is undoubtedly the man we are fortunate enough to call our Third Lad. After coming up in the New York folk clubs of the early '70s and the punk clubs of the latter half of the decade, Willie Nile released his self titled debut album on Arista in 1980 to rave reviews, with Stereo Review naming it the album of the year right alongside The Clash’s London Calling also earning him a handpicked slot opening for The Who on their 1980 U.S. tour. After two more major label records, Willie has released a series of acclaimed indie releases, including 2006’s Streets Of New York, 2013’s American Ride, 2020’s New York At Night, and 2021’s The Day The Earth Stood Still. He’s now back with his first 15th studio album and 21st LP overall, The Great Yellow Light, a passionate, anthemic blend of thundering rockers and sensitive ballads. It’s a stellar addition to a brilliant and literate catalogue that has thrilled Willie Nile ardent fans and friends such as Bruce Springsteen, Bono, Lou Reed, Ian Hunter, Graham Parker, Lucinda Williams, and Little Steven.

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