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Still Moving – Ethical considerations in embodied practice

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Manage episode 352927753 series 2992228
Content provided by Nicole Brown. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicole Brown or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In this online seminar Dr Sonia York-Pryce reflects on ethical considerations within embodied practice and dance research.

To reflect on ethical considerations in her work, Sonia will begin with outlining the context of her work and what inspired her research. She will then explore the taboo of ageing and aesthetics and highlight the difference of the older dancer’s body. She will draw on her expertise in ageism and embodiment to talk about Practice As Research, which for her meant the creation of dance films with national and international senior professional dancers, but also with herself as a dancer.

Sonia York-Pryce, Dr Visual Arts, (Griffith University, Australia), Ba. Digital Media, (Honours; (Griffith University), Ba. Visual Arts (Southern Cross University, Australia), dancer, photographer, videographer, and interdisciplinary artist. From the 1960s to the present-day Sonia has trained and danced extensively in ballet and contemporary dance, initially in the UK then settling in Australia in 1994. She studied classical ballet at Elmhurst Ballet School, the Royal Ballet School, the London School of Contemporary Dance, and the Laban Centre, in London, UK. Sonia’s doctoral research, “Ageism and the Mature Dancer” examined how senior professional dancers, aged over 40, still performing, navigate the dance-by-date perpetuated within Western dance and consumer culture’s obsession with youth. Across a survey conducted through interviews and by email to over 35 participants, based nationally and internationally, York-Pryce discovered what drives these dancers to continue, and how they maintain their bodies.

  continue reading

41 episodes

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iconShare
 
Manage episode 352927753 series 2992228
Content provided by Nicole Brown. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nicole Brown or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In this online seminar Dr Sonia York-Pryce reflects on ethical considerations within embodied practice and dance research.

To reflect on ethical considerations in her work, Sonia will begin with outlining the context of her work and what inspired her research. She will then explore the taboo of ageing and aesthetics and highlight the difference of the older dancer’s body. She will draw on her expertise in ageism and embodiment to talk about Practice As Research, which for her meant the creation of dance films with national and international senior professional dancers, but also with herself as a dancer.

Sonia York-Pryce, Dr Visual Arts, (Griffith University, Australia), Ba. Digital Media, (Honours; (Griffith University), Ba. Visual Arts (Southern Cross University, Australia), dancer, photographer, videographer, and interdisciplinary artist. From the 1960s to the present-day Sonia has trained and danced extensively in ballet and contemporary dance, initially in the UK then settling in Australia in 1994. She studied classical ballet at Elmhurst Ballet School, the Royal Ballet School, the London School of Contemporary Dance, and the Laban Centre, in London, UK. Sonia’s doctoral research, “Ageism and the Mature Dancer” examined how senior professional dancers, aged over 40, still performing, navigate the dance-by-date perpetuated within Western dance and consumer culture’s obsession with youth. Across a survey conducted through interviews and by email to over 35 participants, based nationally and internationally, York-Pryce discovered what drives these dancers to continue, and how they maintain their bodies.

  continue reading

41 episodes

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