On this month’s episode of the Periodical Podcast, Asha Dahya speaks with the “Long Line of Ladies” co-directors about “a different kind of filmmaking” driven by listening, collaboration, and representation — the non-performative kind.

After making the Oscar-winning short “Period. End of Sentence.,” Zehtabchi wanted to tell a stigma-free story about periods. That led her to researching tribal traditions and ultimately partnering with Tome, an indigenous filmmaker who skipped her own coming-of-age ceremony. To make their film, they established “complete and utter trust” — with each other, but also with the Allens, the Karuk family at the center of the film.
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