In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
MP3•Episode home
Manage episode 521128181 series 3294027
Content provided by Jacqueline Postajian & Gregory Kleinschmidt, Jacqueline Postajian, and Gregory Kleinschmidt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jacqueline Postajian & Gregory Kleinschmidt, Jacqueline Postajian, and Gregory Kleinschmidt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Jackie and Greg are joined by filmmaker Elliot Tuttle for Jacques Rivette's CÉLINE AND JULIE GO BOATING from 1974. Topics of discussion include Rivette's singular style, why "dream logic" is tough to pull off, the usage of real time in cinema, and a spirited debate on the film's merits.
#78 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time
Check us out on Instagram: instagram.com/sceneandheardpod
Check us out at our official website: sceneandheardpod.com
Graphic Design: Molly Pinto
Music: Andrew Cox
Editing: Greg Kleinschmidt
Get in touch at [email protected]
157 episodes