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Lena Herzog: You cannot win a nuclear war

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Content provided by Scheerpost. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scheerpost or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Though one can debate the reasons, statistics and precedent of nuclear war, what is often left out of the conversation is the reality of it: destruction of the world as a whole. In her new immersive art experience titled, “Any War, Any Enemy,” immersive artist Lena Herzog throws this reality literally right in the faces of viewers. The film can uniquely be experienced via virtual reality as well as a traditional screen and it plainly shows what nuclear war looks like.

Herzog begins the film with a quote stating nuclear war is not war. She tells host Robert Scheer on this episode of Scheer Intelligence that she begins with this because “the word ‘war’ is disorienting, because in war, you can have a battle, you can lose a battle, you can win a war. You cannot win a nuclear exchange. It's omnicide. It's not war.”

Part of a trilogy which tries to invoke art in a novel form, the film follows "Last Whispers," another piece of immersive art that focuses on the destruction of language. For “Any War, Any Enemy,” Herzog wants people to “experience [nuclear war] inside the frame, to feel it in the fiber of your being.”

For Scheer, the film’s power comes from viscerally showing the reality most people have no idea will happen in the event of a nuclear war. “You are forced to be immersed into an environment where your voice means nothing, your brain means nothing, your eyes mean nothing, because this weapon has destroyed any means of sustaining life,” Scheer says. “So you are these figures floating around in the water dead.”

Foreign policy discussions centering around the U.S., Russia, China, Israel and others become moot points as Herzog points out, “This is a question of existence versus nonexistence.”

Scheer and Herzog agree that the time for nuclear disarmament is now. As opposed to the middle of the 20th century with the Cuban Missile Crisis, where leaders had hours and days to talk about any provocations and would actually speak to one another. Nowadays, leaders avoid each other and the response time to any kind of strike, Herzog says, “it's 90 seconds. It's four minutes.”

  continue reading

442 episodes

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Manage episode 454129402 series 3035881
Content provided by Scheerpost. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scheerpost or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Though one can debate the reasons, statistics and precedent of nuclear war, what is often left out of the conversation is the reality of it: destruction of the world as a whole. In her new immersive art experience titled, “Any War, Any Enemy,” immersive artist Lena Herzog throws this reality literally right in the faces of viewers. The film can uniquely be experienced via virtual reality as well as a traditional screen and it plainly shows what nuclear war looks like.

Herzog begins the film with a quote stating nuclear war is not war. She tells host Robert Scheer on this episode of Scheer Intelligence that she begins with this because “the word ‘war’ is disorienting, because in war, you can have a battle, you can lose a battle, you can win a war. You cannot win a nuclear exchange. It's omnicide. It's not war.”

Part of a trilogy which tries to invoke art in a novel form, the film follows "Last Whispers," another piece of immersive art that focuses on the destruction of language. For “Any War, Any Enemy,” Herzog wants people to “experience [nuclear war] inside the frame, to feel it in the fiber of your being.”

For Scheer, the film’s power comes from viscerally showing the reality most people have no idea will happen in the event of a nuclear war. “You are forced to be immersed into an environment where your voice means nothing, your brain means nothing, your eyes mean nothing, because this weapon has destroyed any means of sustaining life,” Scheer says. “So you are these figures floating around in the water dead.”

Foreign policy discussions centering around the U.S., Russia, China, Israel and others become moot points as Herzog points out, “This is a question of existence versus nonexistence.”

Scheer and Herzog agree that the time for nuclear disarmament is now. As opposed to the middle of the 20th century with the Cuban Missile Crisis, where leaders had hours and days to talk about any provocations and would actually speak to one another. Nowadays, leaders avoid each other and the response time to any kind of strike, Herzog says, “it's 90 seconds. It's four minutes.”

  continue reading

442 episodes

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