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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Breton Vivian is an English-Australian composer known for his scores to Yellowstone (with Brian Tyler) as well as the recent miniseries 1883. We talk about how working at Brian’s studio (and helping him move it) helped Breton come into his own as a composer.
Plus, the different ways themes, unique solo instruments, and orchestra can play together in western-inspired score. He also talk about his entry into film scores (growing disillusioned with the UK band scene) and how there’s no substitute for taking lots of meetings with potential creative collaborators.
Interview by Matt Schrader on MORE SCORE.
163 episodes
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