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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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This week we are bleeding from the ears from high-pitched screeching sounds while we discuss “Founder’s Mutation”! We’re talking the return of James Wong, our love for the strangely blase coworker, Gupta From My Phone, Mulder giving off the wrong signals, Scully back on her quaalude habit, and why wristwatch models shouldn’t be evil scientists. We enjoy Skinner’s office redesign, say hello to Abigail from Hannibal and goodbye just as quickly, smell the distinct whiff of Folger’s coffee commercial energy, wonder why Scully’s hospital is so evil, and how it’s so real that Mulder would show 2001: A Space Odyssey to his 5-year-old. Real dad move.
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