In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 196 - Marvel at SDCC & Deadpool Review Round Two
Manage episode 432661109 series 1711653
Content provided by Julian Meush and Jeremy Kozier. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Julian Meush and Jeremy Kozier or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
'Deadpool & Wolverine' is quickly rising through the box office charts and is on pace to set some records. It may even finish the summer as the highest grossing movie and that would certainly be an accomplishment. Particularly for an R rated film. That being said, that's not the reason Julian and Jeremy decided to continue their conversation on the movie following the review earlier this week. No, the reason is that the movie is so dense, so unique in it's approach, that it took a few more days to process what exactly it even is. Hopefully this follow up conversation puts things to bed for good this time. But the Marvel mayhem does not end there. No sir, the guys then turn to San Diego Comicon to discuss the massive announcements out of Marvel's Hall H panel. Surprisingly, Harrison Ford pretending to be the Hulk on stage wasn't the biggest news, he was upstaged by RDJ himself as we learn that he's returning to the MCU as Dr. Doom, and bringing back the Russo brothers to direct (don't worry they only cost like $180 million between them). Is this good news, bad news, or something in between?
If you enjoy the show please subscribe and leave a nice review on Apple Podcasts, and check out Patreon.com/TowerBabbleCast to become one of our latest patrons.
104 episodes
Share
Manage episode 432661109 series 1711653
Content provided by Julian Meush and Jeremy Kozier. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Julian Meush and Jeremy Kozier or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
'Deadpool & Wolverine' is quickly rising through the box office charts and is on pace to set some records. It may even finish the summer as the highest grossing movie and that would certainly be an accomplishment. Particularly for an R rated film. That being said, that's not the reason Julian and Jeremy decided to continue their conversation on the movie following the review earlier this week. No, the reason is that the movie is so dense, so unique in it's approach, that it took a few more days to process what exactly it even is. Hopefully this follow up conversation puts things to bed for good this time. But the Marvel mayhem does not end there. No sir, the guys then turn to San Diego Comicon to discuss the massive announcements out of Marvel's Hall H panel. Surprisingly, Harrison Ford pretending to be the Hulk on stage wasn't the biggest news, he was upstaged by RDJ himself as we learn that he's returning to the MCU as Dr. Doom, and bringing back the Russo brothers to direct (don't worry they only cost like $180 million between them). Is this good news, bad news, or something in between?
If you enjoy the show please subscribe and leave a nice review on Apple Podcasts, and check out Patreon.com/TowerBabbleCast to become one of our latest patrons.
104 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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