In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Mike talks with filmmaker Todd Rohal in a lively, no-holds-barred tour through one of the most delightfully unclassifiable careers in American indie cinema. From Knuckleface Jones to The Catechism Cataclysm, Rohal has carved out a lane where misfits, surreal detours, and emotional gut-punches live side-by-side.
The conversation zeroes in on F*** My Son (2025), his bold and darkly comic new feature that pushes his sensibilities into feral, confrontational territory. Rohal talks process, chaos, collaboration, and why he wants to work in a hardware store.
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The conversation zeroes in on F*** My Son (2025), his bold and darkly comic new feature that pushes his sensibilities into feral, confrontational territory. Rohal talks process, chaos, collaboration, and why he wants to work in a hardware store.
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth
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