In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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In the last of our series of early previews of forthcoming films, gleaned from Conrad's time at the Toronto International Film Festival (TIFF) under the wing of Toronto native and film critic extraordinaire, Joe Lipsett, we're looking at two gold-and-turquoise whimsical fantasies: Dust Bunny and Eternal Return.
The former is Hannibal and Pushing Daisies showrunner Bryan Fuller's directorial debut, introducing Sophie Sloane as a young girl who recruits the assassin who lives next door (Mads Mikkelsen) to slay the monster that lives under her bed. Cue a delightfully colourful and frequently absurd fairytale that also features fun supporting turns from Sigourney Weaver as Mikkelsen's handler and David Dastmalchian as a rival assassin. It's an odd blend of ingredients, but does it work?
Eternal Return is writer-director Yaniv Raz's attempt to create a whimsical romantic time travel fantasy, starring Naomi Scott as a broken-hearted twenty-something and Kit Harington as the eccentric map shop owner who believes he can navigate her back to emotionally significant moments in her life... and possibly change them. Also featuring Simon Callow as an elderly friend who also narrates in his sonorous tones, and set in a London that wouldn't look out of place in a Potter adaptation, does this romantic confection sweep Conrad off his feet?
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204 episodes