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1 7 Ethical Storytelling and Representation in Film: A Conversation with Natalie Bullock Brown
In this episode of Change the Reel, Monique and Piper sit down with documentary filmmaker and ethical storytelling champion Natalie Bullock Brown. From her journey through Howard University's film program to her work with the Documentary Accountability Working Group (DAWG), Natalie shares powerful insights on authentic representation and the responsibility filmmakers have to their subjects. #RepresentationMatters #DocumentaryFilm #EthicalStorytelling
Why This Matters Now
As media continues to shape our understanding of communities and cultures, who tells the story matters as much as the story itself. Natalie's work advocates for filmmakers to be "more thoughtful, intentional, and transparent about their filmmaking practices in their relationships with their participants." This approach isn't just about fairness—it results in better, more authentic storytelling. #AuthenticVoices #MediaEthics #FilmIndustry
Finding Your Path in Filmmaking
From Writer to Filmmaker
Natalie initially went to Howard University planning to write for television shows like "A Different World," but discovering Marlon Riggs' groundbreaking documentary work changed her trajectory entirely. This pivotal moment showed her what documentary film could accomplish—giving voice to underrepresented communities while creating artistically powerful content. #FilmEducation #CareerPath #DocFilm
Building a Career Through Connections
Through a series of connections beginning with jazz musicians at Lincoln Center, Natalie eventually found her way to Ken Burns' production company. Her story highlights how relationships and networking create opportunities, particularly for women of color in an industry where representation behind the camera remains limited. #WomenInFilm #NetworkingInFilm #CareerDevelopment
Creating Ethical Documentary Practices
The DAWG Framework
As Distinguished Director of the Documentary Accountability Working Group, Natalie helped develop a framework that emphasizes care, consent, collaboration, and ethical storytelling. This approach begins with a critical "reflection" phase where filmmakers examine their proximity to stories and their potential biases. #FilmEthics #DocumentaryPractice #Accountability
Beyond "Not About Us Without Us"
While representation matters, Natalie emphasizes that it's not simply about who tells the story—it's about the filmmaker's commitment to doing internal work to overcome blind spots and biases. This often means bringing in team members with closer proximity to the stories being told. #Collaboration #DiverseTeams #StorytellingEthics
Building Inclusive Production Teams
Intentional Hiring Practices
Natalie shares her experience creating production teams that reflect diversity in gender, ethnicity, and experience. From her first all-women crew to her current collaborative approach with various filmmakers, she demonstrates how intentional hiring creates better working environments and ultimately better films. #InclusiveHiring #ProductionTeams #DiversityInFilm
Creating Comfortable Sets
Both Monique and Piper note how Natalie's sets stand out for their comfort and organization—a testament to what's possible when productions prioritize inclusive environments. This approach allows talent and crew to bring their authentic selves to the work without the "heavy armor" often needed in less welcoming spaces. #SetCulture #FilmProduction #InclusiveWorkplaces
Avoiding Harm in Storytelling
Beyond "Poverty Porn" and "Trauma Porn"
A significant portion of the conversation focuses on how filmmakers can avoid perpetuating stereotypes or exploiting communities through their work. Natalie emphasizes that without proper reflection and intentionality, filmmakers risk continuing harmful narratives even with the best intentions. #StorytellingResponsibility #NarrativePower #RepresentationInMedia
Participants as Experts of Their Own Lives
The DAWG framework positions film participants as the experts of their own lives. This collaborative approach involves subjects in the storytelling process, ensuring their voices shape how their stories are told rather than having narratives imposed upon them. #CollaborativeStorytelling #DocumentaryEthics #ParticipantVoices
Looking Forward
Current Projects and Future Impact
Natalie discusses her current documentary project exploring Black women, beauty, and aging through the lens of "Black don't crack," as well as her role as executive producer for emerging filmmakers. Her activist approach to filmmaking continues to open doors for diverse voices in the documentary world. #DocumentaryFilmmaking #EmergingFilmmakers #BlackWomenInFilm
Creating Opportunities for Others
Despite concerns about the current political climate's impact on diversity initiatives, Natalie remains committed to creating opportunities not just for herself but for others coming through the pipeline. She joins Monique and Piper in expressing hope that established BIPOC filmmakers will continue to make space for new voices. #OpportunityCreation #FilmIndustryPipeline #MentorshipInFilm
Bottom Line
Ethical, authentic storytelling requires filmmakers to engage in deep reflection about their biases, intentions, and proximity to stories. By building diverse teams, collaborating with subjects, and committing to responsible practices, filmmakers can create more truthful, impactful work while avoiding harm to the communities they document.
#ChangeTheReel #RepresentationMatters #DocumentaryFilm #EthicalStorytelling #WomenInFilm #BIPOC #AuthenticVoices #MediaEthics #CollaborativeStorytelling #DiversityInMedia #FilmIndustryPipeline #womenhistorymonth
Change the Reel: Where representation starts here. Join us twice monthly as we explore how different voices shape the stories we tell and help you navigate the world of authentic media production.
- NATALIE BULLOCK BROWN - Want to talk to Natalie or work with her? This is how you can connect.
- DAWG - Learn about the Framework for Values, Ethics, and Accountability in Nonfiction Filmmaking
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CHANGE THE REEL with Piper and Monique
Executive Producers: Monique Velasquez and Piper Kessler
Producer: Arielle Morten
Director/Editor: Simon Beery
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11 episodes