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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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It's bonus time, as we bring you a second episode of the week, recorded at Screen On The Green in Islington, London, as part of our Everyman Soundtracking Film Club. Edith is joined on stage by director, Babak Anvari, and actor Rosamund Pike to discuss Hallow Road following a screening of the movie. It tells the story of a married couple who receive a distressing late-night call from their teenage daughter, and set off in their car to find her. Communicating via mobile with her en route, events get progressively disturbing. Hallow Road is scored by Peter Adams and Lorne Balfe, who very kindly shared their as yet unreleased score with us.
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