An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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The Historical Novel
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Manage episode 445094585 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Organized around a comparison of György Lukács's "The Historical Novel" and Mark Twain & Charles Dudley Warner's "The Gilded Age," in this episode we take a detour from Jameson to Lukács, question what realism means [8:30], whether "The Gilded Age" is a historical novel [19:30], whether historical novels are intrinsically conservative [33:30}, whether novelists can live up to Lukács's high expecations [41:00], what distinguishes historical novels from historical fictions [64:30], and who are the "spreasheet men" [85:00]. Cast (in order of appearance): Brandon Taylor, Matt Seybold, Eleanor Courtemanche, Nathan Wolff, Anna Kornbluh, Jeffrey Insko, Alexander Manshel Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Lukacs, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
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93 episodes
MP3•Episode home
Manage episode 445094585 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Organized around a comparison of György Lukács's "The Historical Novel" and Mark Twain & Charles Dudley Warner's "The Gilded Age," in this episode we take a detour from Jameson to Lukács, question what realism means [8:30], whether "The Gilded Age" is a historical novel [19:30], whether historical novels are intrinsically conservative [33:30}, whether novelists can live up to Lukács's high expecations [41:00], what distinguishes historical novels from historical fictions [64:30], and who are the "spreasheet men" [85:00]. Cast (in order of appearance): Brandon Taylor, Matt Seybold, Eleanor Courtemanche, Nathan Wolff, Anna Kornbluh, Jeffrey Insko, Alexander Manshel Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Lukacs, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
…
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93 episodes
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