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Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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The Historical Novel

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Manage episode 445094585 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Organized around a comparison of György Lukács's "The Historical Novel" and Mark Twain & Charles Dudley Warner's "The Gilded Age," in this episode we take a detour from Jameson to Lukács, question what realism means [8:30], whether "The Gilded Age" is a historical novel [19:30], whether historical novels are intrinsically conservative [33:30}, whether novelists can live up to Lukács's high expecations [41:00], what distinguishes historical novels from historical fictions [64:30], and who are the "spreasheet men" [85:00]. Cast (in order of appearance): Brandon Taylor, Matt Seybold, Eleanor Courtemanche, Nathan Wolff, Anna Kornbluh, Jeffrey Insko, Alexander Manshel Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Lukacs, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
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93 episodes

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iconShare
 
Manage episode 445094585 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Organized around a comparison of György Lukács's "The Historical Novel" and Mark Twain & Charles Dudley Warner's "The Gilded Age," in this episode we take a detour from Jameson to Lukács, question what realism means [8:30], whether "The Gilded Age" is a historical novel [19:30], whether historical novels are intrinsically conservative [33:30}, whether novelists can live up to Lukács's high expecations [41:00], what distinguishes historical novels from historical fictions [64:30], and who are the "spreasheet men" [85:00]. Cast (in order of appearance): Brandon Taylor, Matt Seybold, Eleanor Courtemanche, Nathan Wolff, Anna Kornbluh, Jeffrey Insko, Alexander Manshel Soundtrack: DownRiver Collective Narration: Nathan Osgood & SNR Audio For more about this episode, including a complete bibliography, please visit MarkTwainStudies.com/Lukacs, or subscribe to Matt Seybold's newsletter at TheAmericanVandal.substack.com
  continue reading

93 episodes

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