Search a title or topic

Over 20 million podcasts, powered by 

Player FM logo
Artwork

Content provided by Michael Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Painting, photography, and hard but necessary decisions: Claire Witteveen, an artist in Amsterdam

1:12:13
 
Share
 

Manage episode 466851632 series 1247881
Content provided by Michael Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In Episode 372, the 1st half of the conversation with Amsterdam-based painter and photographer Claire Witteveen, she talks about:

Her putting off painting initially in favor of photography, for reasons both practical and related to insecurity, partly based on her mom being an artist who juggled that and being a mother; how she can feel completely disconnected from her photography (mainly when it’s a commercial object), but at other times, especially taking portraits, she feels very connected to her subjects; and how with painting she sees it as a monologue, whereas photography is more of a dialogue; how one photography job, combined with painting sales, can sustain her for the year; the complicated nature balance of making good work, and maintaining integrity, while also making a living, or enough income from the artmaking to survive on; the wide swings she can go through in the studio, from thinking she’s re-inventing the wheel in the morning to thinking she’s a total hack later that day; the nuanced factors that make a painting interesting, instead of just good, and an anecdote in which a collector at her opening asked what one of her paintings was about, only to find that it didn’t really matter what she said, because it already ‘spoke to his soul;’ how she connected with her gallerists in Paris, whom she feels very lucky to have and very supported by; the transformation of her work(paintings) once they entered the context of the gallery; and why one particular painting in a show that was in a catalogue and getting so much attention during the run of the show…didn’t ultimately sell. [Claire has a show opening in Paris at Atelier Bergère on April 3rd, which will run until May 1st.]

  continue reading

167 episodes

Artwork
iconShare
 
Manage episode 466851632 series 1247881
Content provided by Michael Shaw. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Michael Shaw or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

In Episode 372, the 1st half of the conversation with Amsterdam-based painter and photographer Claire Witteveen, she talks about:

Her putting off painting initially in favor of photography, for reasons both practical and related to insecurity, partly based on her mom being an artist who juggled that and being a mother; how she can feel completely disconnected from her photography (mainly when it’s a commercial object), but at other times, especially taking portraits, she feels very connected to her subjects; and how with painting she sees it as a monologue, whereas photography is more of a dialogue; how one photography job, combined with painting sales, can sustain her for the year; the complicated nature balance of making good work, and maintaining integrity, while also making a living, or enough income from the artmaking to survive on; the wide swings she can go through in the studio, from thinking she’s re-inventing the wheel in the morning to thinking she’s a total hack later that day; the nuanced factors that make a painting interesting, instead of just good, and an anecdote in which a collector at her opening asked what one of her paintings was about, only to find that it didn’t really matter what she said, because it already ‘spoke to his soul;’ how she connected with her gallerists in Paris, whom she feels very lucky to have and very supported by; the transformation of her work(paintings) once they entered the context of the gallery; and why one particular painting in a show that was in a catalogue and getting so much attention during the run of the show…didn’t ultimately sell. [Claire has a show opening in Paris at Atelier Bergère on April 3rd, which will run until May 1st.]

  continue reading

167 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Listen to this show while you explore
Play