Artwork
iconShare
 
Manage episode 469185670 series 2363727
Content provided by Jonathan Strahan & Gary K. Wolfe, Jonathan Strahan, and Gary K. Wolfe. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jonathan Strahan & Gary K. Wolfe, Jonathan Strahan, and Gary K. Wolfe or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

This week’s episode features a few news items, but as usual you have to listen closely to find them among our usual free-association digressions.

Awards season is underway. Nominations/and or votging for the Nebulas, Locus Awards, and Hugo Awards (once again we are eligible in the Fancast category, and Jonathan in the Editor Short Form category) is underway, and just closed for the BSFA Awards. There's also, news from a major distributor in the US that may mark the beginning of the end of the mass-market paperback, while other publishing news involves the consolidation of three major print magazines—Asimov’s, Analog, and F&SF—under a single new publisher.

While at this point we don’t know more than anyone else, this leads us into discussions of romantasy (and the growing SF or space opera equivalent), how the way readers have discover new writers has changed over time, the value (if any) of promotional letters and blurbs (which Gary is not very good at, it turns out), the growing popularity of premium and collectors’ editions, and the difference between casual readers, fans, collectors, and simple accumulators of books.

Other topics pop up as well: Jonathan’s forthcoming anthology of stories in honor of Ursula Le Guin raises the question of which authors should be recognized with such anthologies, for example, and which have already been recognized and why.

  continue reading

686 episodes