In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
MP3•Episode home
Manage episode 514056502 series 2361888
Content provided by Filmmaking Stuff. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Filmmaking Stuff or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
When it comes to exporting your film, not all codecs are created equal. In this episode, I break down the difference between H.264 and ProRes 422 (and 4444)—which one to use for online, and which one distributors actually need. Learn about bitrates, file sizes, and color depth in simple terms that every filmmaker can understand.
300 episodes