In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
MP3•Episode home
Manage episode 493533471 series 2917251
Content provided by Derek Sotak and The Horror of Nachos. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Derek Sotak and The Horror of Nachos or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Director Lucky McKee’s best film (to anyone with taste) is obviously 2011’s “The Woman”, but nine years before that he directed a movie about another woman. Yessir, May’s her name (as well as the name of the film) and watching creepy dolls and making friends from human body parts is her game. If you want Zooey Deschanel’s character in “New Girl” to be less whimsical and more of an addled creep, this is for you.
100 episodes