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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Sofia Coppola’s Priscilla is the antithesis of Baz Luhrmann’s terrible Elvis movie.
We discuss Coppola’s sad-core storytelling, her determination never to leave Priscilla’s side, and her absolutely damning portrayal of the King of Rock and Roll.
We also talk about Cailee Spaeny’s central performance as Priscilla, Jacob Elordi’s menacing turn as Elvis, and the movie’s delicate handling of their very complex relationship.
But we also wonder if Coppola’s emotionally distant direction might have made the stirring true-life story a little unaffecting.
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