Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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S5 Ep1: Episode 15 - Dead Meadow's Jason Simon on 'Feathers'
Manage episode 467488127 series 3337785
Content provided by The Matador Revisionist History Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Matador Revisionist History Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
In the latest episode of the Matador Revisionist History Podcast, Dead Meadow's Jason Simon joins host Matt Sweeney (Chavez, The Hard Quartet) to discuss the 20th anniversary of 'Feathers,' the album's slightly-troubled recording process, remembering founding bassist Steve Kille, as well as the influence of D.C. hardcore, Trad Gras och Stenar, and 13th Floor Elevators.
Originally released in 2005, Feathers was a departure from Dead Meadow’s earlier work. The songs were moodier and more densely layered, reflecting the arrival of longtime friend and second guitarist Cory Shane. “The sound was intentionally dark and murky,” says Shane. “Sometimes a rolling stone can gather moss.” The album was recorded amidst personal upheavals and a fair amount of pandemonium – from zoned-out late-night basement sessions in D.C. to a fully-gonzo studio date in New York City.
Originally released in 2005, Feathers was a departure from Dead Meadow’s earlier work. The songs were moodier and more densely layered, reflecting the arrival of longtime friend and second guitarist Cory Shane. “The sound was intentionally dark and murky,” says Shane. “Sometimes a rolling stone can gather moss.” The album was recorded amidst personal upheavals and a fair amount of pandemonium – from zoned-out late-night basement sessions in D.C. to a fully-gonzo studio date in New York City.
14 episodes
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Manage episode 467488127 series 3337785
Content provided by The Matador Revisionist History Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Matador Revisionist History Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
In the latest episode of the Matador Revisionist History Podcast, Dead Meadow's Jason Simon joins host Matt Sweeney (Chavez, The Hard Quartet) to discuss the 20th anniversary of 'Feathers,' the album's slightly-troubled recording process, remembering founding bassist Steve Kille, as well as the influence of D.C. hardcore, Trad Gras och Stenar, and 13th Floor Elevators.
Originally released in 2005, Feathers was a departure from Dead Meadow’s earlier work. The songs were moodier and more densely layered, reflecting the arrival of longtime friend and second guitarist Cory Shane. “The sound was intentionally dark and murky,” says Shane. “Sometimes a rolling stone can gather moss.” The album was recorded amidst personal upheavals and a fair amount of pandemonium – from zoned-out late-night basement sessions in D.C. to a fully-gonzo studio date in New York City.
Originally released in 2005, Feathers was a departure from Dead Meadow’s earlier work. The songs were moodier and more densely layered, reflecting the arrival of longtime friend and second guitarist Cory Shane. “The sound was intentionally dark and murky,” says Shane. “Sometimes a rolling stone can gather moss.” The album was recorded amidst personal upheavals and a fair amount of pandemonium – from zoned-out late-night basement sessions in D.C. to a fully-gonzo studio date in New York City.
14 episodes
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Similar to The Matador Revisionist History Podcast
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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