In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Manage episode 489774530 series 60589
Content provided by Rethink Audio Ltd and Rethink Audio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rethink Audio Ltd and Rethink Audio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Kate Philips is announced as the BBC’s all-powerful creative lead - Faraz Osman, founder of TV indie Gold Wala, takes a look at her in-tray.
Also on the show: TV advertising gets the self-service treatment... Rebecca Cooney, insight editor at Broadcast, tells us why broadcasters are targeting small businesses.
Plus, speaking of advertising: with the threat of AI ever present, how do creatives rate their chances of survival? Campaign’s UK editor Maisie McCabe is down the line from Cannes.
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The Media Quiz is sponsored by Audio Network who select the music to score each episode - they can do it for you too at audionetwork.com
Become a member for FREE when you sign up for our newsletter at themediaclub.com
A Rethink Audio production, produced by Matt Hill with post-production from Podcast Discovery.
We record at Podshop Studios - for 25% off your first booking, use the code MEDIA CLUB at podshoponline.co.uk
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344 episodes
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Manage episode 489774530 series 60589
Content provided by Rethink Audio Ltd and Rethink Audio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rethink Audio Ltd and Rethink Audio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Kate Philips is announced as the BBC’s all-powerful creative lead - Faraz Osman, founder of TV indie Gold Wala, takes a look at her in-tray.
Also on the show: TV advertising gets the self-service treatment... Rebecca Cooney, insight editor at Broadcast, tells us why broadcasters are targeting small businesses.
Plus, speaking of advertising: with the threat of AI ever present, how do creatives rate their chances of survival? Campaign’s UK editor Maisie McCabe is down the line from Cannes.
And, in the Audio Network Media Quiz, we give three more stories a comedy treatment.
The Media Quiz is sponsored by Audio Network who select the music to score each episode - they can do it for you too at audionetwork.com
Become a member for FREE when you sign up for our newsletter at themediaclub.com
A Rethink Audio production, produced by Matt Hill with post-production from Podcast Discovery.
We record at Podshop Studios - for 25% off your first booking, use the code MEDIA CLUB at podshoponline.co.uk
What The Media Club has been reading this week:
Kate Phillips becomes BBC's top content chief
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New IT News Site May Be AI Generated
Hosted on Acast. See acast.com/privacy for more information.
344 episodes
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Similar to The Media Club with Matt Deegan
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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