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“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 3, "LA Made: The Other Moonshot," tells the story of three Black aerospace engineers in Los Angeles, who played a crucial role in America’s race to space, amid the civil unrest of the 1960s. When Joan ...
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Content provided by Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, and Logan Quigley. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, and Logan Quigley or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
What did medieval music sound like? How can we read and perform the musical notation from medieval manuscripts? What does singing and playing music written before 1500 actually feel like? How did the early music tradition carry forward into the seventeenth century? In this episode, Reed O'Mara interviews musicologists Elena Mullins Bailey and Allison Monroe from the musical ensemble Trobár on the ins and outs of medieval song, both sacred and profane, and the mechanics of historical performance practice.
For more about Reed, Elena, Allison, and this topic, check out our Show Notes: www.multiculturalmiddleages.com.
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