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Content provided by Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, and Logan Quigley. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, & Logan Quigley, Will Beattie, Jonathan Correa Reyes, Loren Lee, Reed O'Mara, and Logan Quigley or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

What did medieval music sound like? How can we read and perform the musical notation from medieval manuscripts? What does singing and playing music written before 1500 actually feel like? How did the early music tradition carry forward into the seventeenth century? In this episode, Reed O'Mara interviews musicologists Elena Mullins Bailey and Allison Monroe from the musical ensemble Trobár on the ins and outs of medieval song, both sacred and profane, and the mechanics of historical performance practice.

For more about Reed, Elena, Allison, and this topic, check out our Show Notes: www.multiculturalmiddleages.com.

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