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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Nick sits down with filmmaker Don Coscarelli and producer Paul Pepperman to revisit cult favorites The Beastmaster and Phantasm, ahead of their Music Box Theatre screenings in Chicago. They share behind-the-scenes tales from the wild world of 70s independent filmmaking, including ferret-related chaos, tricky actors, and how they somehow snagged a PG rating despite nudity.
Later, Esmeralda Leon drops by for a lighter turn, bringing along some cosmic trivia, reflections on Nick’s 60th birthday, and highlights from a recent Texas getaway. But things really go off the rails when she launches into a passionate retelling of The Greasy Strangler—a movie so bizarre, it may have broken her brain.
From indie classics to absurd oddities, this one covers it all. [Ep 365]
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