In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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"The city is flying, we’re fighting an army of robots, and I have a bow and arrow. None of this makes sense.” This week on The Script, our script doctors analyze the tentpole of all summer tentpoles-- Avengers: Age of Ultron. We meditate on the skills of Joss Whedon. Is Avengers a big ass movie or is it effectively a multi-plot, ensemble television series? Does Joss’ single comedic voice across characters get old or does it function as a unifier for a complex story? What are the constraints of writing in a massive transmedia property? What is the screenwriter's perspective on The Black Widow controversy that’s swept the internet? And the cameos, oh so many cameos! Can you handle some big green Hulk love? "Fortunately, I am mighty."
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SCRIPT DOCTORS
David Negrin, Jeremy Engdahl-Johnson, Jordan Rosengarten
PRODUCERS, The ScriptJordan Rosengarten, David NegrinNYC Screenwriters Collective
www.ScreenwritersCollective.org
62 episodes