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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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For Season 2 Episode 4, Ben and Adam are joined by Severance’s Emmy-winning composer, Theodore Shapiro — or, Teddy Shaps, as his friends call him. He pulls back the curtain on his long-standing collaboration with Ben Stiller, going all the way back to 2004’s Dodgeball; the four chords that unlocked Severance’s ear-worm of a main theme; and the world of Kier folk tunes he discovered while scoring this episode. Then, Ben and Adam talk about filming this monumental episode where the Outties go out-f***ing-side.
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