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Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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Will social media be the end of theatre critics? And are there too many standing ovations?

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Manage episode 489488131 series 3600372
Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
It's a two-part episode as Alex and Sarah reunite after a few weeks out in the wild! Social media is all abuzz with clips of Rachel Zegler's performance of "Don't Cry For Me Argentinia" in Evita at The London Palladium. The only ones not talking about it? Theatre critics – who have to wait until early July to give their verdicts on the show. With weeks of embargoes, are critics having a tough time either cutting through the social media noise, or even being able to say anything before a show's initial excitement has died down? Separately, Sarah has some thoughts on the increasing trend towards the obligatory standing ovation – do more audiences need to sit down and stop rocking the boat?

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

137 episodes

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iconShare
 
Manage episode 489488131 series 3600372
Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
It's a two-part episode as Alex and Sarah reunite after a few weeks out in the wild! Social media is all abuzz with clips of Rachel Zegler's performance of "Don't Cry For Me Argentinia" in Evita at The London Palladium. The only ones not talking about it? Theatre critics – who have to wait until early July to give their verdicts on the show. With weeks of embargoes, are critics having a tough time either cutting through the social media noise, or even being able to say anything before a show's initial excitement has died down? Separately, Sarah has some thoughts on the increasing trend towards the obligatory standing ovation – do more audiences need to sit down and stop rocking the boat?

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

137 episodes

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