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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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After a career as an actress, Sarah Polley made her directorial debut with Away From Her, landing Oscar nominations for both her screenplay and Julie Christie’s performance. Her follow-up would be a slight gear shift: the intimate character study of infidelity, Take This Waltz. The film stars Michelle Williams as a writer who begins to feel a divide between her and her husband (Seth Rogen), exacerbated by her lust for her rickshaw-operating neighbor (Luke Kirby).
This episode, we talk about our love for Polley and the film’s inquisitive (if a bit divisive) portrait of marital malaise. We also discuss Sarah Silverman’s well-regarded supporting performance, Rogen’s very booked-and-busy first years of stardom, and the film’s expert use of “Video Killed the Radio Star.”
Topics also include Toronto geography, Dying for Sex, and Williams joins our Six Timers Club.
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