In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Sergio Angelini. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sergio Angelini or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
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5. NEAR DARK (1987), with Professor Stacey Abbott
Manage episode 447778813 series 3603594
Content provided by Sergio Angelini. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sergio Angelini or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We celebrate Halloween with a close look at Kathryn Bigelow's classic noir-western-horror hybrid, Near Dark.
My very special guest is Stacey Abbott, Professor of Film at Northumbria University, where she is a member of their Horror Studies Research Group. Her research focuses on horror and cult film and television, with a particular interest in vampire and zombies.
She is the author of Celluloid Vampires (2007), Undead Apocalypse (2016) and the BFI Film Classic on Near Dark (2020). She is the co-author of TV Horror (2013) and the co-editor of Global TV Horror (2021), both with Professor Lorna Jowett.
She regularly writes essays to accompany DVD and Blu-ray releases, including Second Sight’s Ginger Snaps, Possessor and Blair Witch Project, as well as Eureka’s Tank Girl and The Secret of NIMH.
She is currently writing a book on Horror Animation.
Publication details:
www.bloomsbury.com/uk/near-dark-9781911239277/
Angel (TV Milestones) by Stacey Abbott: https://mitpressbookstore.mit.edu/book/9780814333198
Celluloid Vampires by Stacey Abbott: https://utpress.utexas.edu/9780292716964/
Global TV Horror edited by Stacey Abbott and Lorna Jowett: www.uwp.co.uk/book/global-tv-horror/
TV Horror edited by Stacey Abbott and Lorna Jowett: www.bloomsbury.com/uk/tv-horror-9781848856189/
Undead Apocalypse by Stacey Abbott: https://academic.oup.com/edinburgh-scholarship-online/book/19174?login=false
21 episodes
Share
Manage episode 447778813 series 3603594
Content provided by Sergio Angelini. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sergio Angelini or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We celebrate Halloween with a close look at Kathryn Bigelow's classic noir-western-horror hybrid, Near Dark.
My very special guest is Stacey Abbott, Professor of Film at Northumbria University, where she is a member of their Horror Studies Research Group. Her research focuses on horror and cult film and television, with a particular interest in vampire and zombies.
She is the author of Celluloid Vampires (2007), Undead Apocalypse (2016) and the BFI Film Classic on Near Dark (2020). She is the co-author of TV Horror (2013) and the co-editor of Global TV Horror (2021), both with Professor Lorna Jowett.
She regularly writes essays to accompany DVD and Blu-ray releases, including Second Sight’s Ginger Snaps, Possessor and Blair Witch Project, as well as Eureka’s Tank Girl and The Secret of NIMH.
She is currently writing a book on Horror Animation.
Publication details:
www.bloomsbury.com/uk/near-dark-9781911239277/
Angel (TV Milestones) by Stacey Abbott: https://mitpressbookstore.mit.edu/book/9780814333198
Celluloid Vampires by Stacey Abbott: https://utpress.utexas.edu/9780292716964/
Global TV Horror edited by Stacey Abbott and Lorna Jowett: www.uwp.co.uk/book/global-tv-horror/
TV Horror edited by Stacey Abbott and Lorna Jowett: www.bloomsbury.com/uk/tv-horror-9781848856189/
Undead Apocalypse by Stacey Abbott: https://academic.oup.com/edinburgh-scholarship-online/book/19174?login=false
21 episodes
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Similar to Tipping My Fedora
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
An investigative podcast hosted by world-renowned literary critic and publishing insider Bethanne Patrick. Book bans are on the rise across America. With the rise of social media, book publishers are losing their power as the industry gatekeepers. More and more celebrities and influencers are publishing books with ghostwriters. Writing communities are splintering because members are at cross purposes about their mission. Missing Pages is an investigative podcast about the book publishing ind ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
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continue reading
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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continue reading
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Go offline with the Player FM app!
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