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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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FX and Sterlin Harjo team up again for The Lowdown. We dig into the first two episodes—“The Sensitive Kind” and “The Devil’s Mama”—of this Oklahoma dark comedy/noir. Ethan Hawke’s battered “truthstorian” Lee Raybon chases the skeletons in the Washberg family’s closet. From a sus “suicide” to dodging neo-Nazi haymakers, we break down what worked, what didn’t, our favorite moments, and how it connects (and doesn’t) to Reservation Dogs. Shout-outs to the acting, some Tulsa texture, and a bunch of quick comparisons (ex: Fargo, The Nice Guys, Bored to Death). Welcome to Today's Episode!
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