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William Blake and New Age Music

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Manage episode 466803184 series 3563471
Content provided by Jason Whittaker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jason Whittaker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Blake famously begins Milton: A Poem with the call to "Rouze up, O Young Men of the New Age!" That phrase has been connected to the "New Age" movement in the 1960s and 1970s, and Blake has long been recognized as an important influence on the poets and visual artists of that time, but it could be argued however, that it was a cohort of musicians that best manifested his vision for art during this era. Jacob Smith outlines a series of resonances between Blake and the first wave of New Age musicians, which includes Iasos, Suzanne Doucet, Stephen Halpern, Steve Roach, Michael Stearns, Constance Demby, and Laraaji. Crucially, both Blake and this school of New Age musicians are legible as visionary artists. Blake has long been offered as a paradigmatic example of the visionary artist, and New Age musicians of this period are notable for the way in which they brought a similar approach to the realm of recorded music.

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28 episodes

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iconShare
 
Manage episode 466803184 series 3563471
Content provided by Jason Whittaker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jason Whittaker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

Blake famously begins Milton: A Poem with the call to "Rouze up, O Young Men of the New Age!" That phrase has been connected to the "New Age" movement in the 1960s and 1970s, and Blake has long been recognized as an important influence on the poets and visual artists of that time, but it could be argued however, that it was a cohort of musicians that best manifested his vision for art during this era. Jacob Smith outlines a series of resonances between Blake and the first wave of New Age musicians, which includes Iasos, Suzanne Doucet, Stephen Halpern, Steve Roach, Michael Stearns, Constance Demby, and Laraaji. Crucially, both Blake and this school of New Age musicians are legible as visionary artists. Blake has long been offered as a paradigmatic example of the visionary artist, and New Age musicians of this period are notable for the way in which they brought a similar approach to the realm of recorded music.

  continue reading

28 episodes

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