In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 223 The Plague of the Zombies
Manage episode 482018105 series 1454236
Content provided by Welcome to Horror. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Welcome to Horror or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We’re sticking with under-appreciated Hammer films this episode, and another from 1966 - “The Plague of the Zombies”. A film in which André Morell is such a badass, he stabs a man who is already on fire; the local constabulary are so obliging that they don’t just turn a blind eye to grave robbing: they also help fill in the hole; and Servalan is feeling really rather tired. This was originally released as a double bill with “Dracula: Prince of Darkness”, and while the Count brought the box office clout, “The Plague of the Zombies” is definitely the more exciting and interesting film. Hammer’s only foray into zombie territory wisely transplants the myth’s Haitian origins to Cornwall, thus bringing in an element of British colonialism, which is then married to a comment on capitalist exploitation of the workers, making for a remarkably modern subtext. But the gothic visceral chills are there too, both supernatural and all too horribly human, with a standout dream sequence that really gives these zombies some evocative menace, that may have played into George A Romero’s take on the monsters a mere two years later. Watch (or re-watch) to avoid spoilers and join us.
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274 episodes
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Manage episode 482018105 series 1454236
Content provided by Welcome to Horror. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Welcome to Horror or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
We’re sticking with under-appreciated Hammer films this episode, and another from 1966 - “The Plague of the Zombies”. A film in which André Morell is such a badass, he stabs a man who is already on fire; the local constabulary are so obliging that they don’t just turn a blind eye to grave robbing: they also help fill in the hole; and Servalan is feeling really rather tired. This was originally released as a double bill with “Dracula: Prince of Darkness”, and while the Count brought the box office clout, “The Plague of the Zombies” is definitely the more exciting and interesting film. Hammer’s only foray into zombie territory wisely transplants the myth’s Haitian origins to Cornwall, thus bringing in an element of British colonialism, which is then married to a comment on capitalist exploitation of the workers, making for a remarkably modern subtext. But the gothic visceral chills are there too, both supernatural and all too horribly human, with a standout dream sequence that really gives these zombies some evocative menace, that may have played into George A Romero’s take on the monsters a mere two years later. Watch (or re-watch) to avoid spoilers and join us.
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