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112 – Love’s Labour’s Lost
Manage episode 440143813 series 1142218
Content provided by The Drat Pack. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Drat Pack or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Rita Mae Brown’s definition of insanity is doing the same thing over and over, expecting different results. On an unrelated note, in this episode Leigh, Brendan, and Chris return to the filmography of Kenneth Branagh just to see how we feel about perhaps his most unusual and unique movie, his 2000 Shakespeare adaptation Love’s Labour’s Lost. Yes, that’s right, that little-performed play that Branagh chopped down to about 80 minutes, reset in pre-World War II Europe, and then added musical numbers from the Great American Songbook. Can such a weirdly specific take work? Is this even a play that can justify having this much done to it in the first place? Does it matter if Kenneth Branagh doesn’t really get how to make a 1930s movie musical or indeed how to make song and dance look interesting? Listen in, won’t you, as we spend a lot of time trying to make sense of all this while enjoying a sparkling cocktail (but sadly no cocaine).
102 episodes
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Manage episode 440143813 series 1142218
Content provided by The Drat Pack. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Drat Pack or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Rita Mae Brown’s definition of insanity is doing the same thing over and over, expecting different results. On an unrelated note, in this episode Leigh, Brendan, and Chris return to the filmography of Kenneth Branagh just to see how we feel about perhaps his most unusual and unique movie, his 2000 Shakespeare adaptation Love’s Labour’s Lost. Yes, that’s right, that little-performed play that Branagh chopped down to about 80 minutes, reset in pre-World War II Europe, and then added musical numbers from the Great American Songbook. Can such a weirdly specific take work? Is this even a play that can justify having this much done to it in the first place? Does it matter if Kenneth Branagh doesn’t really get how to make a 1930s movie musical or indeed how to make song and dance look interesting? Listen in, won’t you, as we spend a lot of time trying to make sense of all this while enjoying a sparkling cocktail (but sadly no cocaine).
102 episodes
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Similar to Why Did We Watch This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Go offline with the Player FM app!
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