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Working (it) Out Ep 7 Roya Akbari: Destiny's Child

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Manage episode 117280681 series 93223
Content provided by ArtSlant. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ArtSlant or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Working (it) Out Ep 7 Roya Akbari: Destiny’s Child Roya Akbari is an experimental filmmaker and visual artist. When we met to discuss her work, she brought up important issues around censorship and the politics of what is allowed to be shown where. For Akbari, discourse isn’t a precursor to categorizing a culture product as art. Akbari’s experimental films and installations feel intimate and personal, but withdraw just enough from the edge of explicit to allow space for audience to enter the work. Akbari doesn’t consider audience during process, but rather addresses an aspect of herself, or in the case of Only Image Remains, audience is addressed through a love letter to Iranian Cinema. Music: War on Drugs: An Ocean Between the Waves
  continue reading

6 episodes

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Manage episode 117280681 series 93223
Content provided by ArtSlant. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by ArtSlant or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.
Working (it) Out Ep 7 Roya Akbari: Destiny’s Child Roya Akbari is an experimental filmmaker and visual artist. When we met to discuss her work, she brought up important issues around censorship and the politics of what is allowed to be shown where. For Akbari, discourse isn’t a precursor to categorizing a culture product as art. Akbari’s experimental films and installations feel intimate and personal, but withdraw just enough from the edge of explicit to allow space for audience to enter the work. Akbari doesn’t consider audience during process, but rather addresses an aspect of herself, or in the case of Only Image Remains, audience is addressed through a love letter to Iranian Cinema. Music: War on Drugs: An Ocean Between the Waves
  continue reading

6 episodes

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