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Content provided by Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://staging.podcastplayer.com/legal.

We have an exciting announcement! Writing Excuses is publishing a book, Now Go Write, which will feature writing from all of our hosts! Sign up for our newsletter to learn when our book is coming out!

So, for our next few episodes, we’ll have each host share one of the topics that they have written a chapter about for the book. Today, we’re starting with Mary Robinette, who will be covering the question of how to handle relationships. We explore how relationships can act like characters themselves—shifting, growing, or breaking under story pressure. Mary Robinette also introduces the “Kowal Relationship Axes” as a way to build believable dynamics and conflict between characters. We hope you come away with practical tools to write relationships that feel real, messy, and full of momentum.

Homework: First, sign up for our newsletter to learn when our book is coming out!

Then: who does your character love because of their flaws and why? Write an exploration scene where the character is exhibiting those flaws and the other character is watching that fondly. Then, write a different scene where one character is mad at the other and the flaws are pissing them off.

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The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Mary Robinette Kowal, DongWon Song, and Erin Roberts. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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