Produced by Joseph Cottrell, Jeffrey Crecelius and Ken Fuller The hugely knowledgeable Sid Smith joined us again this week to chat about the context of Tales from Topographic Oceans. Sid wrote the sleeve notes for the Steven Wilson remix of Tales which was released by Panegyric in 2016. He also wrote the remarkable book, 'In the Court of King Crimson - An Observation over Fifty Years', so we were delighted to be able to ask him about the relationship between Crimson main man, Robert Fripp, and Bill Bruford. Why did Fripp want Bruford? Why did Yes decide to push the boundaries even further with Tales? How influential was the album? Let us know if you agree with us! Sid in his happy place Buy Sid's brilliant book - you really should Yes - The Tormato Story Available now! TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius Patrons: Jim Morrison Jon Pickles Declan Logue Gary Betts Alan Begg Michael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø Pettersen Become a Patron! Our (not really) new Facebook YMP Discussion Group is open to anyone to join but I’ll be adding rules and joining requirements when I have time (one day…). One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything: Theme music The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert – I put it together from: archive.org